Iain Chambers is presently Professor of Cultural and Postcolonial Studies at the Oriental University in Naples where he has been Director of the Centre for Postcolonial Studies. He is known for his interdisciplinary and intercultural work on music, popular and metropolitan cultures. More recently he has transmuted this line of research into a series of postcolonial analyses of the formation of the modern Mediterranean.
Professor Chambers has a degree in History and American Studies from Keele University, and subsequently acquired an MA at the Centre for Contemporary Cultural Studies at the University of Birmingham. He has lived in Naples since 1976, and has held visiting professorships at Hunter College (CUNY) in 1990, the University of Oslo in 1992, in Emphasis in Critical Theory, University of California, Irvine in 1995,. He has also been a Rockefeller Fellow at the Center for Cultural Studies, University of California, Santa Cruz in 1994; been invited as Visiting Scholar at the Getty Institute, Los Angeles for the year 1996-7; and been a Humanities Research Institute Fellow at the University of California, Irvine in 1997.
He is author of Urban Rhythms: pop music and popular culture (1985), Popular Culture: The metropolitan experience (1986), Border dialogues: Journeys in postmodernity (1990), Migrancy, culture, identity (1994), Hendrix, hip hop e l’interruzione del pensiero (with Paul Gilroy) (1995), Culture after humanism (2001); and most recently, Mediterranean Crossings: The Politics of an Interrupted Modernity (2008), Postcolonial Interruptions and Unauthorised Modernities (2017), e La Questione Mediterranea (2019.. He is also editor with Lidia Curti of The Post-colonial question: Common skies, divided horizons (1996,) and the volume Esercizi di Potere. Gramsci, Said e il postcoloniale (2006).